Sanabria's Latin New York magazine was an English language publication. It's a name that everyone could pronounce. So salsa defined this particular type of music. And that was a very, very broad category, because it even includes mariachi music. The music was still defined as Latin music. I was using salsa, but the music wasn't defined by that. In 1973, I hosted the television show Salsa which was the first reference to this particular music as salsa. Puerto Rican music promoter Izzy Sanabria claims he was the first to use the word salsa to denote a music genre. Later on, while based in Mexico City, the musician Beny Moré would shout salsa during a performance to acknowledge a musical moment's heat, making a connection with the hot salsa (sauce) made in the country. Back in Cuba, influenced by spicy food salsas, he named his group Conjunto Los Salseros, with whom he recorded a couple of albums for the Panart and Egrem labels. In the mid-1940s, Cuban Cheo Marquetti emigrated to Mexico. The phrase is seen as a cry from Piñeiro to his band, telling them to increase the tempo to "put the dancers into high gear".
The musicologist Max Salazar believes the origin of the connection lies in 1930 when Ignacio Piñeiro composed the song Échale salsita (Put some sauce in it). The origin of the connection of this word to a style of music is disputed by various music writers and historians. The word Salsa means sauce in the Spanish language. Graciela on claves and her brother Machito on maracas Machito said that salsa was much like what he had been playing from the 1940s. Though limited by an embargo, the continuous cultural exchange between salsa-related musicians inside and outside of Cuba is undeniable. ĭuring the same period a parallel modernization of Cuban son was being developed by Los Van Van, Irakere, NG La Banda, Charanga Habanera and other artists in Cuba under the name of songo and timba, styles that at present are also labelled as salsa. These musicians included Celia Cruz, Rubén Blades, Johnny Pacheco, Machito and Héctor Lavoe. The music style was based on the late son montuno of Arsenio Rodríguez, Conjunto Chappottín and Roberto Faz. The first self-identified salsa bands were predominantly assembled by Cuban and Puerto Rican musicians in New York City in the '70s. Originally the name salsa was used to label commercially several styles of Latin dance music, but nowadays it is considered a musical style on its own and one of the staples of Latin American culture. All of these elements are adapted to fit the basic son montuno template when performed within the context of salsa. Most songs considered as salsa are primarily based on son montuno, with elements of mambo, Latin jazz, bomba, plena and guaracha. Because most of the basic musical components predate the labeling of salsa, there have been many controversies regarding its origin. Salsa music is a style of Latin American music. Check out CatholicSpanishTranslations.Tumbadoras (conga drums), one of the basic instruments of salsa music I also created a team of translators who can help you focus on your ministry while we take care of your translations from English to Spanish or Spanish to English.
And now I’m so excited to offer a virtual space to accompany parish ministry leaders as you work toward a more integrated parish in the Gente Puente Café! You can share resources in the Gente Puente Facebook group. You can find practical advice & best practices from other ministers on the Gente Puente Podcast. I was able to be vulnerable, get support, talk through ideas and challenges and get clarity. Once again, God brought some mentors into my life – a small peer group of ministry leaders.
It was such a joy being a bridge between God, the Church, the community and different languages & cultures…but it could also be painful! The constant demands of ministry and family life at times left me feeling burned out and discouraged and I would stop taking care of myself. In more than a decade in ministry in a small, rural, multicultural parish I wore many different hats and led lots of different ministry areas. But God brought me mentors and helped me build collaborative relationships that gave me what I needed to lead more effectively and confidently. I know what it’s like to feel burned out, isolated and overwhelmed in ministry.ĭuring my time as Diocesan Director of Hispanic Ministry for the Diocese of Owensboro I often had no idea where to start or where to find resources.
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